Monday, December 18, 2023

Sound Check!

 Might be inspired to fire up some pop culture and sports blogging in 2024.  Might not be.

But can I just say that giving up hope for the Bills this season has made the wins over KC and Dallas somehow even more satisfying?

Sunday, February 12, 2017

For All Your LPGA News



You can get all all your LPGA information, including:


1- All tournament previews
2- Up to date statistics
3- Breaking News
4- Much much more

At the following link:


http://www.tonyslpgareport.com/




Sunday, August 21, 2016

Ralph Nader endorses "We Need a Department of Peace"

“…very important little paperback…a pragmatic argument for a department of peace…”

Nader and Peace Book 1x1
Photo courtesy of The Lakeville Journal.

Nader's radio interview with Charlie Keil.

Meanwhile, in the Twitterersphere:







Purchase at Amazon.com (paperbackKindle), or Barnes and Noble (paperbackNOOK Book).

A Young Girl Rocks Out on Keyboard – Do You Think She Hit a Golf Ball?

Dan Everett posted shared this on his Facebook page and I thought I’d say a few words about her playing. I managed to find it on YouTube:


The commenters there identify the piece as Sonatina in D Major, Op 36, No 6 by Muzio Clementi. I wouldn’t have guessed that, but then, I simply don’t know Clementi. But that’s irrelevant.

I want to talk about her playing. Actually, I want to talk about how she uses her body. She plays with her body, as any halfway decent musician does. Look at how her upper body moves once she’s underway. That’s not merely a matter of moving her arms back and forth in front of the keyboard, it is some of that. It’s mostly keeping the groove and it’s setting the muscle tone in which her arms and fingers make the more differentiated movements that activate the keys.

Look, hear how strong her left hand is at 0:22 as she walks it back and forth. She’s leaning into it. And again at 0:34. Meanwhile the right hand is playing scalar figures.

The hands punctuate together at roughly 0:40, marking a turning point in the music. Listen to the left hand chords at 0:54, which are repeated an octave lower at 0:58 – well, not really repeated. But similar chordal figures, and she digs in. The young lady has a firm grasp of the piece’s structure and it comes out especially in her left hand. Hands together at 1:01. Look at/listen to her left hand just before the page turn and then hands together 1:05-1:09.

Now we move to the next section of the piece (I’m sure there’s a technical name for it, but I don’t know it). The left hand just keeps thumping away on a static figure – little or no motion up or down – while the right hand diddles the scalar melodic figures. And now an excursion into minor territory at 1:28. The left hand heads to the basement at 1:34.

She really digs in (left hand) 1:38-1:42, and then backs off on the volume (watch her body here), a short break and back to the beginning at 1:44.

The power at 2:04, 2:13, 2:15. Then she backs off. Watch hands and body at the end, 2:40-2:44.

Friday, July 8, 2016

Guccifer 2.0 Google Search Result Weirdnesses

How is it possible that a few posts scattered here at Mostly Harmless and on some of my other blogs last night led to their being more easily findable on google than anything Studio Dongo has posted on Guccifer 2.0 over the last several weeks?  Anyone who understands google search algorithms better than me, please feel free to respond!