Just saw on Japanese TV that Hayao Miyazaki held a press conference to announce his retirement. At the end, the anime legend told reporters this would be his last public appearance. Miyazaki's films have meant a lot to the Constructivist family and we're sad to see him go. But when you leave behind Totoro, Spirited Away, Ponyo, Kiki's Delivery Service, Princess Mononoke, Howl's Moving Castle, Nausicaa, and Studio Ghibli, he'll never really be gone.
Which leads me to the end of Futurama. I love the way the last episode tunnels back to the first episode and makes the entire series into a long time loop. Pretty meta way to get at the way all fictional characters end up repeating the same words and actions--and a pretty romantic way to convince us that for Frye and Leela, at least, this would lead to happiness and love rather than despair or boredom. If I weren't so busy, I'd watch every episode in order as a tribute!
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Friday, September 6, 2013
Wednesday, February 27, 2013
Blazing Saddles and Transatlantic Postmodernism
[Note to my regular readers who come here for women's golf coverage: I'm airing Mel Brooks's 1974 film Blazing Saddles tonight as part of SUNY Fredonia's American Studies film series "Myths of the American West," so decided to share a draft of my opening comments here at Mostly Harmless (which is, after all, "for fun"). I'm aware of the 5-car collision that has lead to my favorite golfer Ai Miyazato withdrawing from this week's LPGA event (and onechan's favorite Paula Creamer being a likely WD candidate) and obviously wish them and everyone else involved in it a full and speedy recovery.]
[Note to my non-regular readers who are coming here after watching Blazing Saddles (or missing it): Hope you enjoy this post and are curious enough after reading it to browse around for other posts here that you may find interesting!]
I was four years old when Blazing Saddles was first released in American theaters and until Shannon McRae--the director of American Studies at SUNY Fredonia and organizer of the program's film series "Myths of the American West"--took seriously my half-joking suggestion to include it in the series and invited me to introduce it, I had never seen it in its entirety until this month. In a semester when I'm teaching American Identities, Introduction to African American Literature and Culture, and Critical Reading, I'm particularly pleased to take Shannon up on her kind offer, and offer a few comments as a new viewer of a movie that's been well-known (even to me) for decades, comments that will hopefully be as useful to students in my classes this semester as everyone else who braved the rains to make it out here tonight.
Growing up, I put Blazing Saddles in the mental category of comedies too raw for me to watch, a remarkably capacious category that in the '70s and too far into the '80s included everything from Monty Python to Mad magazine to Saturday Night Live to just about every famous stand-up comedian of the time. If this reference helps people place where I was at, probably Benny Hill was the rawest thing I got access to before graduate school. Yes, I grew up in a small town in central NY and failed to take advantage of 2nd grade in Palo Alto and 7th grade in Chapel Hill. Nevertheless, I was obsessed with everything comical and comics-al. In high school I started a cartoon series called The Gray Area that, despite its being far too derivative of The Far Side, was seen, nay loved, by regular readers of the Pennysaver and other fine local publications for far too many weeks. Me, I loved everything from Gilligan's Island to Scooby Doo, from Diff'rent Strokes to The Facts of Life, from Benson to Newhart, from Doctor Who to The Greatest American Hero, from Airplane! to Ghostbusters, from The Muppet Show to The Tracey Ullman Show, from Tom and Jerry to Rocky and Bullwinkle (in reruns, duh) to Calvin and Hobbes to Mork and Mindy, from any DC comic Ambush Bug appeared in (even though I was almost exclusively a Marvel fan) to the animated version of The Tick. Sure, I hated the Smurfs and Teenage Mutant Ninja Turtles, but otherwise I was pretty easy to please. And I was a fan of The Simpsons before The Simpsons was The Simpsons, man! (It goes without saying from the title of this blog what my favorite was, though!)
All of which is to say that when I go to grad school in the early 1990s I was perfectly primed to understand and appreciate what many still misunderstand and denigrate even today as a French theoretical import: postmodernism. As someone who saw The Simpsons parody of the end of The Graduate long before I ever saw The Graduate, who loved it when Beavis and Butt-head were watching a Johnny Cash video and decided it was gangsta rap, and who came of age in a hip hop culture rife with allusion and remixing and pastiche, I didn't have to think twice about Jean-Francois Lyotard's notion of "incredulity toward metanarratives" as a core characteristic of postmodernism.
So it's all too easy and obvious now for me to look back at Blazing Saddles and see it as yet another exemplar of American postmodernism. It's certainly not an original point to make, as a quick google search will show you (I recommend posts by Mark Bourne and Mike Sutton on this aspect of the movie). But what is originality, anyway? Just another stinkin' metanarrative--right, JFL? Perhaps it's slightly more original to claim that Mel Brooks and Monty Python were engaged in a transatlantic comedic one-ups-man-ship that was perfectly postmodern. In the same way that Brooks and his co-writers, including Richard Pryor, were playing with myths of the American west and poking fun at founding narratives of the modern United States, Monty Python was taking on English legends of the Holy Grail and western icons of Christianity--and at roughly the same time. Check me on this. And, as you watch Blazing Saddles tonight, consider some of the debates over postmodernism that occupied so many western intellectuals in the last third of the 20th century: is postmodernism all sound and fury, signifying nothing? is it, in the final analysis, the laugh track of late capitalism? are its politics of race and gender and sexuality and [fill in the blank] reactionary, liberatory, laughable, nostalgic, or what? is postmodernism a thing of the past, and if so, how do we react to it today (and what comes after that post-?) if not, if we are still living in and with postmodernism, what does Blazing Saddles compare to in contemporary and recent culture?
There's so much more to be said--about what light Blazing Saddles may shed on black-Jewish relations in the late civil rights era, for instance--but I think it ought to wait until after the movie. Don't you?
[Note to my non-regular readers who are coming here after watching Blazing Saddles (or missing it): Hope you enjoy this post and are curious enough after reading it to browse around for other posts here that you may find interesting!]
I was four years old when Blazing Saddles was first released in American theaters and until Shannon McRae--the director of American Studies at SUNY Fredonia and organizer of the program's film series "Myths of the American West"--took seriously my half-joking suggestion to include it in the series and invited me to introduce it, I had never seen it in its entirety until this month. In a semester when I'm teaching American Identities, Introduction to African American Literature and Culture, and Critical Reading, I'm particularly pleased to take Shannon up on her kind offer, and offer a few comments as a new viewer of a movie that's been well-known (even to me) for decades, comments that will hopefully be as useful to students in my classes this semester as everyone else who braved the rains to make it out here tonight.
Growing up, I put Blazing Saddles in the mental category of comedies too raw for me to watch, a remarkably capacious category that in the '70s and too far into the '80s included everything from Monty Python to Mad magazine to Saturday Night Live to just about every famous stand-up comedian of the time. If this reference helps people place where I was at, probably Benny Hill was the rawest thing I got access to before graduate school. Yes, I grew up in a small town in central NY and failed to take advantage of 2nd grade in Palo Alto and 7th grade in Chapel Hill. Nevertheless, I was obsessed with everything comical and comics-al. In high school I started a cartoon series called The Gray Area that, despite its being far too derivative of The Far Side, was seen, nay loved, by regular readers of the Pennysaver and other fine local publications for far too many weeks. Me, I loved everything from Gilligan's Island to Scooby Doo, from Diff'rent Strokes to The Facts of Life, from Benson to Newhart, from Doctor Who to The Greatest American Hero, from Airplane! to Ghostbusters, from The Muppet Show to The Tracey Ullman Show, from Tom and Jerry to Rocky and Bullwinkle (in reruns, duh) to Calvin and Hobbes to Mork and Mindy, from any DC comic Ambush Bug appeared in (even though I was almost exclusively a Marvel fan) to the animated version of The Tick. Sure, I hated the Smurfs and Teenage Mutant Ninja Turtles, but otherwise I was pretty easy to please. And I was a fan of The Simpsons before The Simpsons was The Simpsons, man! (It goes without saying from the title of this blog what my favorite was, though!)
All of which is to say that when I go to grad school in the early 1990s I was perfectly primed to understand and appreciate what many still misunderstand and denigrate even today as a French theoretical import: postmodernism. As someone who saw The Simpsons parody of the end of The Graduate long before I ever saw The Graduate, who loved it when Beavis and Butt-head were watching a Johnny Cash video and decided it was gangsta rap, and who came of age in a hip hop culture rife with allusion and remixing and pastiche, I didn't have to think twice about Jean-Francois Lyotard's notion of "incredulity toward metanarratives" as a core characteristic of postmodernism.
So it's all too easy and obvious now for me to look back at Blazing Saddles and see it as yet another exemplar of American postmodernism. It's certainly not an original point to make, as a quick google search will show you (I recommend posts by Mark Bourne and Mike Sutton on this aspect of the movie). But what is originality, anyway? Just another stinkin' metanarrative--right, JFL? Perhaps it's slightly more original to claim that Mel Brooks and Monty Python were engaged in a transatlantic comedic one-ups-man-ship that was perfectly postmodern. In the same way that Brooks and his co-writers, including Richard Pryor, were playing with myths of the American west and poking fun at founding narratives of the modern United States, Monty Python was taking on English legends of the Holy Grail and western icons of Christianity--and at roughly the same time. Check me on this. And, as you watch Blazing Saddles tonight, consider some of the debates over postmodernism that occupied so many western intellectuals in the last third of the 20th century: is postmodernism all sound and fury, signifying nothing? is it, in the final analysis, the laugh track of late capitalism? are its politics of race and gender and sexuality and [fill in the blank] reactionary, liberatory, laughable, nostalgic, or what? is postmodernism a thing of the past, and if so, how do we react to it today (and what comes after that post-?) if not, if we are still living in and with postmodernism, what does Blazing Saddles compare to in contemporary and recent culture?
There's so much more to be said--about what light Blazing Saddles may shed on black-Jewish relations in the late civil rights era, for instance--but I think it ought to wait until after the movie. Don't you?
Tuesday, September 20, 2011
Friday, February 12, 2010
Friday, January 1, 2010
New Year's 1853: Ojamajo Doremi Style
Yup, Doremi, Onpu, Aiko, and Hazuki are taking care of Hana-chan in a period drama:
Have a not-so-very ojamajo 2010!
Have a not-so-very ojamajo 2010!
Wednesday, August 12, 2009
Ponyo's Out This Friday!!
Here's a little exercise in comparative trailer study. First, a Japanese trailer for Hayao Miyazaki's Ponyo:
Now, an American one:
Observations? Conclusions? Daniel Thomas has the link to finding show times and places!
Now, an American one:
Observations? Conclusions? Daniel Thomas has the link to finding show times and places!
Wednesday, August 5, 2009
Look Out, T-Joh!
Yes, I know that Tiffany Joh is the best golfer-blogger-singer-songwriter-cartoonist-videographer on the planet, but she'd better not look in her rear-view mirror, 'cause onechan's on the road to golf cartooning, too. She drew this one as Mallory Hetzel was lining up a birdie putt on the 9th green last Saturday at the Futures Tour event in Syracuse. And Hetzel made it! Maybe this is like golf's version of Death Note? Birdie Toon?
Wednesday, July 1, 2009
Walking the Wegmans with Onechan
No, this is not a post about taking my 5-and-a-half-year-old daughter to the grocery store. Sorry to disappoint you.
What this is about is the road trip a jet-lagged onechan and I took to the Rochester area to spend Saturday and Sunday at the Wegmans LPGA tournament at Locust Hills Golf Club. We got to hook up with my mom and dad for a little while, follow Mika Miyazato and then Ai Miyazato, play in the Sports Zone, meet Meredith Duncan, face off in Wii golf, and avoid every single drop of rain that fell on Pittsford that weekend. What I didn't get to do was try out the LPGA's new blogger media-credentialing process (I missed the deadline the 1st half of our visit to the Full Metal Archivist's family in Japan), follow the range of players I wanted to, or hang with Momoko Ueda on the driving range (yes, she missed the cut but worked hard on her game all weekend).
But I'm getting ahead of myself. Let's start from the beginning, which is my crazy decision to take a pre-school girl who fell asleep from noon to 8 pm Friday and stayed up till 5:30 am on Saturday on a 2-hour drive to walk as many holes as we possibly could on a rain-delayed moving day. At least I had the sense not to try to take her 3-year-old sister, imoto, along with us. She had been enough of a handful when she was 2 that I couldn't envision taking a more mobile, articulate, independent (to put it nicely), louder, faster, and sleepier (last night was the 1st dinner she had since returning to the States late last Thursday) girl to an LPGA event. Now, the Futures Tour event in Syracuse at the end of the month, that's another story. But I'll save her 2nd LPGA experience for next year. Assuming there is a next year. (Check Dave Hackenberg's excellent piece on this week's event for context on the LPGA's shrinking schedule.) Anyway, my worries about onechan proved to be unfounded. She entertained me on the drive up telling stories about Foxy, a character she just made up. Apparently he gets into a lot of trouble and is often sad or lonely, but onechan told the stories in a gleeful voice and loved to come up with abrupt endings that she found hilarious. Uncle Bill Benzon and Grandpa Bob should be proud!
Speaking of Grandpa Bob, I had to question his judgment for suggesting that we meet at the pro shop rather than at the 17th green, right near where the shuttle buses let you off, not to mention the Sports Zone and the food dome. Sure, thanks to our oversleeping we missed all the early morning groups finishing their 2nd rounds, but onechan had to handle a long walk across the street and up the 10th fairway to see him and Grandma Joy for the 1st time since well before we had left for Japan in late May. As it turned out, though, both the walk itself and the search for my folks (we circled the pro shop twice before we found them) were totally awesome. Onechan was carrying a fairly large plastic baby doll, which she had dolled up for the event by drawing in blue ink flowers in the little hair she had, earrings, nail polish, and lipstick, and as she was getting a lot of "Aww, cute" looks from fans, players, and caddies, I decided to make a bet with her that she would be the only kid with a doll or toy we'd see all day. Trying to find evidence to win our bet turned out to be a fun game for her. As for me, I was struck by how intimate a setting a golf course is for a sporting event. I was walking by pros whose faces looked familiar but whom I couldn't quite place ("Is that Mika Miyazato? Or maybe Ji Young Oh?"). Some players I definitely knew: Vicky Hurst, Jane Park--and of course Ai Miyazato, who just happened to be at the putting green when onechan and I made it to the pro shop area. As Ai-chan was leaving, I was able to say, "Kyoo gambare!" (Go for it today!) to her. I don't know if she remembered onechan or me from last year, but she looked down at the short American wearing a hat bought in Okinawa that said "Island Boy" in kanji and kneeling down by a young girl wearing a flower print dress we'd bought in Hawaii in the middle of my Fulbright year, smiled, and said "Thank you," very sweetly.
Not long after that, we ran into my mom and dad and they had plenty of stories for us. My mom, who is a champion talker, told me how they had run into Karrie Webb while the 3rd-round pairings were being organized, so of course she told her about how big a fan onechan is of her and how I had invented Carrie Mi, Karrie Yoo, and Keri Hu (still useful devices for teasing onechan and imoto out of a desire to be carried!). My dad was psyched that a lesson on the driving range had shortened my mom's Mi Hyun Kim/Sakura Yokomine-like backswing and flattened its plane so well that she was carrying her driver around 150 yards (sadly, the lesson didn't carry over to the course when they got back to Clinton). And we played the game of "Who is that...?" as we got our food, walked over to tables by the 10th tees, and perused the pairings sheet I had gotten from a volunteer as we had been looking for my folks. (He got me on Katherine Hull, and I mistook Na Yeon Choi for Eun-Hee Ji.) He told me how impressed he was by Vicky Hurst ("She could be a center for a women's basketball team") and how Cheyenne Woods's game was much better than he had expected. (Guess who they had followed on Friday!)
So, yeah, with players going off the 10th tee while we were eating--I got a good look at Aree Song's swing (not a lot of shoulder turn there), for instance--and the 1st tee right around the corner, my dad's idea of meeting at the pro shop to follow some early groups was a good one. And when I saw that Mika Miyazato was going off 2 groups ahead of Ai-chan--and that Na Yeon Choi was in the former group while Se Ri Pak was in the latter, not to mention that Amanda Blumenherst was in the threesome between them--I immediately pitched my idea that we follow Mika as long as onechan could handle it, then rest to wait for Ai-chan and follow her as long as possible before resting and watching the leading pairings play through. Best laid plans, of course: my parents were too tired from their Friday outing to make it past the 4th tee before they headed out for home, while the second onechan realized that the front 9 circled back to the clubhouse, she was more interested in getting to the Sports Zone across the street than making it to the 8th green to hang out for 45 minutes. And of course I kept us as far away from the greens as possible, not trusting onechan not to blurt out whatever thought happened to come into her mind at any moment. So I didn't get to see Mika actually make a downhill curling 15-footer for birdie on the uphill par-4 2nd, or, for that matter, Ai-chan's short birdie putt on the short par-4 4th hole fail to drop.
But I did get to see her call her caddie over to swat a black fly that had been pestering her as she was setting up for her putt. And I did get to see every shot that Mika and Na Yeon played between the 1st and 4th tees, and every shot Ai-chan and Se Ri played from their approaches to the 3rd green to their tee shots on the par-3 7th. I can't go into the amount of detail that I did last year, but I do have some general impressions. Mika has a very powerful swing, particularly through the ball. Her tempo's a little quicker and less rhythmic than Ai-chan's, but overall she's a little more aggressive and athletic. I had heard from Q-School interviews that she's a short hitter, but I'd say her length is average, plus she has the capacity to hit it longer than usual when she wants to. I expected her to be well behind Choi and Reilley Rankin, but she was even with them more often than not (although probably b/c they were dialing it down to avoid the rough). As for Choi, she parred every hole we saw, but never gave herself great birdie chances. I came away confirmed in my thinking that both are going to be major talents on tour. But of course most of my attention was on Ai-chan, and I noticed that she had a little tendency to break her wrists early on her backswing, which may have contributed to her pull on the downhill 6th. Other than that, her game was as strong as I expected it to be. Even while struggling--she had to make 2 6-to-9-footers to save par and missed 2 birdie putts of about that length--and dealing with jet lag (I don't care how accustomed to international travel you are, you still feel it for 10-15 days after you settle into a new time zone), she was completely calm, self-contained, and focused. She didn't chat a lot with her caddie or other players, just followed her ball and hit her next shot without making a big fuss about it. Very similar demeanor to Se Ri Pak, now that I think of it, although Pak was definitely longer, of course.
But that's about all I have for observations on the players, as most of my attention was actually focused on keeping onechan happy and quiet. Whether it was playing rock-paper-scissors (in Japanese, of course) or having little races with her between shots and holes when other groups weren't nearby (I let her win all of the latter, but she beat me 7 games in a row in the former, and I was really trying!), assuring her we'd make it to the Sports Zone (eventually), carrying her on my back a few times (including all the way up the par-5 8th's fairway), or getting pro shop staff to open up an "out of order" real bathroom for her b/c once again she was afraid of the port-a-potties, this was a full-time job. It was a lot easier when my folks were still hanging with us. My mom took her to look for frogs by the creek and pond on #2 and gave her a pad of paper and markers (which she used to good effect, although, unfortunately, not to the intended purpose--to get autographs), while my dad asked her questions and told her about the players. I can't say that onechan was particularly into my explanation of what to do off the tee on a dogleg or why you're not allowed to put your club on the ground when it's not in a water hazard but is behind the red line surrounding it, or particularly happy not to be following Karrie Webb and Natalie Gulbis on the other side, but she never whined, she never talked loudly, she never moved (much) while a player was hitting, she loved it that Carri Wood was playing with Ai-chan and Pak, and she won our bet when she found a young Japanese family near the 7th green with twin 2-year-old boys who had a kuma (bear) stuffed animal with them on their stroller.
And the Sports Zone! When I asked her this morning what she remembered about the tournament, that's the first thing she mentioned. She went through the inflated maze/obstacle course that was too wet for her last year, climbed to the top of the 15-foot climbing wall that was too scary for her last year, and, on Sunday, actually practiced chipping outside and putting inside (including a lesson with Meredith Duncan, who's a real sweetheart). I won't get into how onechan chipped in for a birdie on the 2nd hole of the Wii golf they had set up inside or how I hit 3 sand shots into the water hazard and took a mercy 9 on that par-3, or all the fruit juices and ice cream flavors we tried out in the food dome, but I will brag a little about how many times onechan hit the target when practicing those pitch shots.
So even though I didn't get to follow Seon Hwa Lee or In-Kyung Kim on Saturday, hang at the putting green as players finished their rounds, take onechan to the driving range on Sunday, where Momoko Ueda was working hard with caddie, or follow Ai-chan for awhile in the final round (we went straight to the Sports Zone this time and the weather looked threatening by the time onechan was all exercised out), we had an absolutely fantastic time at the Wegmans. I got a great reminder that a classic course like Locust Hills, with its tight, tree-lined fairways, small, tiered greens, and elevation changes, could be a great challenge with just the light breezes that were turning approach shots into exercises in judgment, precision, and finesse. Sadly, these are qualities that seem to be lacking in LPGA HQ these days. With the Corning gone and the Wegmans seemingly in trouble, I'm wondering if there's a Route 390 curse or if Carolyn Bivens is taking the LPGA seriously off course. It's all well and good to move into bigger domestic and international markets, but why not hold 40+ tournaments a year and keep the mid-market, community-based events by offering a reduced fee structure for them?
What this is about is the road trip a jet-lagged onechan and I took to the Rochester area to spend Saturday and Sunday at the Wegmans LPGA tournament at Locust Hills Golf Club. We got to hook up with my mom and dad for a little while, follow Mika Miyazato and then Ai Miyazato, play in the Sports Zone, meet Meredith Duncan, face off in Wii golf, and avoid every single drop of rain that fell on Pittsford that weekend. What I didn't get to do was try out the LPGA's new blogger media-credentialing process (I missed the deadline the 1st half of our visit to the Full Metal Archivist's family in Japan), follow the range of players I wanted to, or hang with Momoko Ueda on the driving range (yes, she missed the cut but worked hard on her game all weekend).
But I'm getting ahead of myself. Let's start from the beginning, which is my crazy decision to take a pre-school girl who fell asleep from noon to 8 pm Friday and stayed up till 5:30 am on Saturday on a 2-hour drive to walk as many holes as we possibly could on a rain-delayed moving day. At least I had the sense not to try to take her 3-year-old sister, imoto, along with us. She had been enough of a handful when she was 2 that I couldn't envision taking a more mobile, articulate, independent (to put it nicely), louder, faster, and sleepier (last night was the 1st dinner she had since returning to the States late last Thursday) girl to an LPGA event. Now, the Futures Tour event in Syracuse at the end of the month, that's another story. But I'll save her 2nd LPGA experience for next year. Assuming there is a next year. (Check Dave Hackenberg's excellent piece on this week's event for context on the LPGA's shrinking schedule.) Anyway, my worries about onechan proved to be unfounded. She entertained me on the drive up telling stories about Foxy, a character she just made up. Apparently he gets into a lot of trouble and is often sad or lonely, but onechan told the stories in a gleeful voice and loved to come up with abrupt endings that she found hilarious. Uncle Bill Benzon and Grandpa Bob should be proud!
Speaking of Grandpa Bob, I had to question his judgment for suggesting that we meet at the pro shop rather than at the 17th green, right near where the shuttle buses let you off, not to mention the Sports Zone and the food dome. Sure, thanks to our oversleeping we missed all the early morning groups finishing their 2nd rounds, but onechan had to handle a long walk across the street and up the 10th fairway to see him and Grandma Joy for the 1st time since well before we had left for Japan in late May. As it turned out, though, both the walk itself and the search for my folks (we circled the pro shop twice before we found them) were totally awesome. Onechan was carrying a fairly large plastic baby doll, which she had dolled up for the event by drawing in blue ink flowers in the little hair she had, earrings, nail polish, and lipstick, and as she was getting a lot of "Aww, cute" looks from fans, players, and caddies, I decided to make a bet with her that she would be the only kid with a doll or toy we'd see all day. Trying to find evidence to win our bet turned out to be a fun game for her. As for me, I was struck by how intimate a setting a golf course is for a sporting event. I was walking by pros whose faces looked familiar but whom I couldn't quite place ("Is that Mika Miyazato? Or maybe Ji Young Oh?"). Some players I definitely knew: Vicky Hurst, Jane Park--and of course Ai Miyazato, who just happened to be at the putting green when onechan and I made it to the pro shop area. As Ai-chan was leaving, I was able to say, "Kyoo gambare!" (Go for it today!) to her. I don't know if she remembered onechan or me from last year, but she looked down at the short American wearing a hat bought in Okinawa that said "Island Boy" in kanji and kneeling down by a young girl wearing a flower print dress we'd bought in Hawaii in the middle of my Fulbright year, smiled, and said "Thank you," very sweetly.
Not long after that, we ran into my mom and dad and they had plenty of stories for us. My mom, who is a champion talker, told me how they had run into Karrie Webb while the 3rd-round pairings were being organized, so of course she told her about how big a fan onechan is of her and how I had invented Carrie Mi, Karrie Yoo, and Keri Hu (still useful devices for teasing onechan and imoto out of a desire to be carried!). My dad was psyched that a lesson on the driving range had shortened my mom's Mi Hyun Kim/Sakura Yokomine-like backswing and flattened its plane so well that she was carrying her driver around 150 yards (sadly, the lesson didn't carry over to the course when they got back to Clinton). And we played the game of "Who is that...?" as we got our food, walked over to tables by the 10th tees, and perused the pairings sheet I had gotten from a volunteer as we had been looking for my folks. (He got me on Katherine Hull, and I mistook Na Yeon Choi for Eun-Hee Ji.) He told me how impressed he was by Vicky Hurst ("She could be a center for a women's basketball team") and how Cheyenne Woods's game was much better than he had expected. (Guess who they had followed on Friday!)
So, yeah, with players going off the 10th tee while we were eating--I got a good look at Aree Song's swing (not a lot of shoulder turn there), for instance--and the 1st tee right around the corner, my dad's idea of meeting at the pro shop to follow some early groups was a good one. And when I saw that Mika Miyazato was going off 2 groups ahead of Ai-chan--and that Na Yeon Choi was in the former group while Se Ri Pak was in the latter, not to mention that Amanda Blumenherst was in the threesome between them--I immediately pitched my idea that we follow Mika as long as onechan could handle it, then rest to wait for Ai-chan and follow her as long as possible before resting and watching the leading pairings play through. Best laid plans, of course: my parents were too tired from their Friday outing to make it past the 4th tee before they headed out for home, while the second onechan realized that the front 9 circled back to the clubhouse, she was more interested in getting to the Sports Zone across the street than making it to the 8th green to hang out for 45 minutes. And of course I kept us as far away from the greens as possible, not trusting onechan not to blurt out whatever thought happened to come into her mind at any moment. So I didn't get to see Mika actually make a downhill curling 15-footer for birdie on the uphill par-4 2nd, or, for that matter, Ai-chan's short birdie putt on the short par-4 4th hole fail to drop.
But I did get to see her call her caddie over to swat a black fly that had been pestering her as she was setting up for her putt. And I did get to see every shot that Mika and Na Yeon played between the 1st and 4th tees, and every shot Ai-chan and Se Ri played from their approaches to the 3rd green to their tee shots on the par-3 7th. I can't go into the amount of detail that I did last year, but I do have some general impressions. Mika has a very powerful swing, particularly through the ball. Her tempo's a little quicker and less rhythmic than Ai-chan's, but overall she's a little more aggressive and athletic. I had heard from Q-School interviews that she's a short hitter, but I'd say her length is average, plus she has the capacity to hit it longer than usual when she wants to. I expected her to be well behind Choi and Reilley Rankin, but she was even with them more often than not (although probably b/c they were dialing it down to avoid the rough). As for Choi, she parred every hole we saw, but never gave herself great birdie chances. I came away confirmed in my thinking that both are going to be major talents on tour. But of course most of my attention was on Ai-chan, and I noticed that she had a little tendency to break her wrists early on her backswing, which may have contributed to her pull on the downhill 6th. Other than that, her game was as strong as I expected it to be. Even while struggling--she had to make 2 6-to-9-footers to save par and missed 2 birdie putts of about that length--and dealing with jet lag (I don't care how accustomed to international travel you are, you still feel it for 10-15 days after you settle into a new time zone), she was completely calm, self-contained, and focused. She didn't chat a lot with her caddie or other players, just followed her ball and hit her next shot without making a big fuss about it. Very similar demeanor to Se Ri Pak, now that I think of it, although Pak was definitely longer, of course.
But that's about all I have for observations on the players, as most of my attention was actually focused on keeping onechan happy and quiet. Whether it was playing rock-paper-scissors (in Japanese, of course) or having little races with her between shots and holes when other groups weren't nearby (I let her win all of the latter, but she beat me 7 games in a row in the former, and I was really trying!), assuring her we'd make it to the Sports Zone (eventually), carrying her on my back a few times (including all the way up the par-5 8th's fairway), or getting pro shop staff to open up an "out of order" real bathroom for her b/c once again she was afraid of the port-a-potties, this was a full-time job. It was a lot easier when my folks were still hanging with us. My mom took her to look for frogs by the creek and pond on #2 and gave her a pad of paper and markers (which she used to good effect, although, unfortunately, not to the intended purpose--to get autographs), while my dad asked her questions and told her about the players. I can't say that onechan was particularly into my explanation of what to do off the tee on a dogleg or why you're not allowed to put your club on the ground when it's not in a water hazard but is behind the red line surrounding it, or particularly happy not to be following Karrie Webb and Natalie Gulbis on the other side, but she never whined, she never talked loudly, she never moved (much) while a player was hitting, she loved it that Carri Wood was playing with Ai-chan and Pak, and she won our bet when she found a young Japanese family near the 7th green with twin 2-year-old boys who had a kuma (bear) stuffed animal with them on their stroller.
And the Sports Zone! When I asked her this morning what she remembered about the tournament, that's the first thing she mentioned. She went through the inflated maze/obstacle course that was too wet for her last year, climbed to the top of the 15-foot climbing wall that was too scary for her last year, and, on Sunday, actually practiced chipping outside and putting inside (including a lesson with Meredith Duncan, who's a real sweetheart). I won't get into how onechan chipped in for a birdie on the 2nd hole of the Wii golf they had set up inside or how I hit 3 sand shots into the water hazard and took a mercy 9 on that par-3, or all the fruit juices and ice cream flavors we tried out in the food dome, but I will brag a little about how many times onechan hit the target when practicing those pitch shots.
So even though I didn't get to follow Seon Hwa Lee or In-Kyung Kim on Saturday, hang at the putting green as players finished their rounds, take onechan to the driving range on Sunday, where Momoko Ueda was working hard with caddie, or follow Ai-chan for awhile in the final round (we went straight to the Sports Zone this time and the weather looked threatening by the time onechan was all exercised out), we had an absolutely fantastic time at the Wegmans. I got a great reminder that a classic course like Locust Hills, with its tight, tree-lined fairways, small, tiered greens, and elevation changes, could be a great challenge with just the light breezes that were turning approach shots into exercises in judgment, precision, and finesse. Sadly, these are qualities that seem to be lacking in LPGA HQ these days. With the Corning gone and the Wegmans seemingly in trouble, I'm wondering if there's a Route 390 curse or if Carolyn Bivens is taking the LPGA seriously off course. It's all well and good to move into bigger domestic and international markets, but why not hold 40+ tournaments a year and keep the mid-market, community-based events by offering a reduced fee structure for them?
Onechan, Wegmans LPGA Sketch Artist
Here's onechan's take on what she had seen on the 1st hole of the Locust Hills Golf Club, while following Mika Miyazato, Na Yeon Choi, and Reilly Rankin. For context, click here.
Wednesday, June 3, 2009
Tuesday, January 20, 2009
オバマmania II
A little tribute to today's historic inauguration for MH fans: American Jedi painter Chaz Guest visited Obama City, Japan, recently. James at Japan Probe has the details, as usual. Here's the background in English:
And the Japanese TV report (which is where his Jedi roots become apparent):
And the Japanese TV report (which is where his Jedi roots become apparent):
Monday, November 3, 2008
The Politics of Miyazaki
Daniel Thomas MacInnes of Conversations on Ghibli has done the animation world a great service in posting and commenting on a Japanese documentary on Hayao Miyazaki's North American promotion tour for Princess Mononoke at the end of the last millennium. But as good as his focus on the business marketing context of the Ghibli-Disney relationship's beginning is, it's his penultimate paragraph that's the most significant part of his piece, for it touches on something the Full Metal Archivist was picking up on throughout the documentary:
In fact, Thomas shouldn't have backed off on his self-described "rant" or chalked it up to his health or mood in his final paragraph. Pay attention to Miyazaki's emotional response to the questions asked by most American film critics: he's angry and tense, not just nervous or anxious. The assumptions behind the questions are pissing him off, and because of that, his answers are quite revealing. But the conception of politics Miyazaki is drawing on is much broader than only electioneering and lowest-common denominator media culture, ranging from the interaction between creative artists, their works, and their audiences (particularly children) to the politics and pedagogies of form. No time to elaborate on this now, but will be happy to in comments.
BTW, the FMA fears Ponyo will be his last film. Here's the theme song:
For more on the characters and themes (in Japanese), head over here. MacInnes is the source for those of us limited to English.
Still, as an artist and dedicated Ghibl Freak, I am endlessly annoyed by all these stupid questions from the suits, the expectation that Miyazaki dumb his work down to the level of...I dunno, the average George W. Bush voter. Why does everything in this country be dumbed down to the lowest common denominator? Why does everybody have to be so mindless, so sloven, so stupid? Thank God there will be no President Sarah Palin in 2009. But in this swamp, that possibility is always lurking nearby, just like November snow in Minnesota.
In fact, Thomas shouldn't have backed off on his self-described "rant" or chalked it up to his health or mood in his final paragraph. Pay attention to Miyazaki's emotional response to the questions asked by most American film critics: he's angry and tense, not just nervous or anxious. The assumptions behind the questions are pissing him off, and because of that, his answers are quite revealing. But the conception of politics Miyazaki is drawing on is much broader than only electioneering and lowest-common denominator media culture, ranging from the interaction between creative artists, their works, and their audiences (particularly children) to the politics and pedagogies of form. No time to elaborate on this now, but will be happy to in comments.
BTW, the FMA fears Ponyo will be his last film. Here's the theme song:
For more on the characters and themes (in Japanese), head over here. MacInnes is the source for those of us limited to English.
Thursday, August 28, 2008
Babelfish Poetry: For Momo-chan
Just want to make a small point about the beauty that can come from non-standard English--in this case, the babelfish translation of a Japanese news report of Momoko Ueda's painful fingernail accident. I've just removed some words and punctuation marks, inserted some line and stanza breaks, changed some capitalizations, and voila: a pretty damn good imagist poem.
The seeing eye dog surprised
the flash of the cameraman of the multitude produced
to run, suddenly.
Being flurried, tries probably to grasp the lanyard
“the painful [tsu]!” with voice was increased
being caught to the cord which was pulled
It peeled the nail of the left hand middle finger
the nail which peels off even cruelly fell to the land
the blood dripped from the finger
For a while holding down the finger
at that place
which it cannot move
It is painful
the face was twisted with pain
the tear floated in the eye
The seeing eye dog surprised
the flash of the cameraman of the multitude produced
to run, suddenly.
Being flurried, tries probably to grasp the lanyard
“the painful [tsu]!” with voice was increased
being caught to the cord which was pulled
It peeled the nail of the left hand middle finger
the nail which peels off even cruelly fell to the land
the blood dripped from the finger
For a while holding down the finger
at that place
which it cannot move
It is painful
the face was twisted with pain
the tear floated in the eye
Thursday, June 5, 2008
LPGA Championship Backstory: Se Ri Pak and Mi Hyun Kim (plus Amy Yang news)
Reason #54 to be checking out the discussion boards over at Seoul Sisters: great stories!
Check out the cross-stitch a Se Ri-super-fan's mother-in-law made for him and his wife to give to Pak. You won't regret the click!
Special bonus in this week's tournament thread: pics of Mi Hyun Kim with her fiance, South Korean judo gold medalist Won Hee Lee, during the practice round. Talk about a cute--and tough--couple!
Seoul Sisters gets some hard news scoops, as well. Guess who just cleared her LET schedule through mid-July? Yup, Amy Yang, who just followed up her runner-up to Suzann Pettersen 2 weeks ago in Switzerland with a win of her own in Germany--her 1st as a professional and 2nd on the LET--and promptly donated the entire check to earthquake relief in China. Smart move for Yang to strike while the iron(s) is (are) hot, try to qualify for the U.S. Women's Open, and maybe make enough LPGA top 10s to pull a Na On Min/Eun-Hee Ji (get your card for the next season through great play in relatively few LPGA events this season).
Who knows, if Yang plays well enough in the LPGA's European swing to get back on top of the LET money list, she could give herself the ultimate tough choice: try to stay atop the LET or qualify for the LPGA's late fall unofficial playoff series? Actually, given how thin the LPGA's August and September are, event-wise, she could try for both: she could stay in Europe for Annika's LET event after the Evian Masters and Women's British Open, assess her position on both money lists and either be a jet-setter for a couple of months and play as many of the 6 LET and 4 LPGA events as possible or commit to one tour, then join the LPGA's Asian swing, stay for the LET's Korea event, play the ADT Championship (if she qualifies), and end her season with the 2 LET events in December.
Sounds tiring, but she's young and the rewards are potentially huge, including cards on both tours and exemptions to majors in 2009.
Check out the cross-stitch a Se Ri-super-fan's mother-in-law made for him and his wife to give to Pak. You won't regret the click!
Special bonus in this week's tournament thread: pics of Mi Hyun Kim with her fiance, South Korean judo gold medalist Won Hee Lee, during the practice round. Talk about a cute--and tough--couple!
Seoul Sisters gets some hard news scoops, as well. Guess who just cleared her LET schedule through mid-July? Yup, Amy Yang, who just followed up her runner-up to Suzann Pettersen 2 weeks ago in Switzerland with a win of her own in Germany--her 1st as a professional and 2nd on the LET--and promptly donated the entire check to earthquake relief in China. Smart move for Yang to strike while the iron(s) is (are) hot, try to qualify for the U.S. Women's Open, and maybe make enough LPGA top 10s to pull a Na On Min/Eun-Hee Ji (get your card for the next season through great play in relatively few LPGA events this season).
Who knows, if Yang plays well enough in the LPGA's European swing to get back on top of the LET money list, she could give herself the ultimate tough choice: try to stay atop the LET or qualify for the LPGA's late fall unofficial playoff series? Actually, given how thin the LPGA's August and September are, event-wise, she could try for both: she could stay in Europe for Annika's LET event after the Evian Masters and Women's British Open, assess her position on both money lists and either be a jet-setter for a couple of months and play as many of the 6 LET and 4 LPGA events as possible or commit to one tour, then join the LPGA's Asian swing, stay for the LET's Korea event, play the ADT Championship (if she qualifies), and end her season with the 2 LET events in December.
Sounds tiring, but she's young and the rewards are potentially huge, including cards on both tours and exemptions to majors in 2009.
Sunday, June 1, 2008
I May Have a New Favorite Golfer
I can't remember when I first heard of Hannah Yun, but she certainly got my attention with her announcement after the NCAA Championships that she was leaving the University of Florida...after her 1st year...at age 16. Normally I don't think such decisions are good ones, but I just discovered one reason she's put off the decision to turn pro for at least another year: according to a Futures Tour press release,
How sweet is that?! The only thing that could possibly be sweeter is if Yun knows about Mostly Harmless--and is interested in becoming a co-blogger here!
(Don't worry, Moira, Ai-chan, Seon Hwa, Momo-chan, and the gang--there's room enough for another favorite golfer here.)
Yun has enrolled at the Academy of Art University in San Francisco where she will be pursuing a career in illustration and animation with her first class beginning next month.
How sweet is that?! The only thing that could possibly be sweeter is if Yun knows about Mostly Harmless--and is interested in becoming a co-blogger here!
(Don't worry, Moira, Ai-chan, Seon Hwa, Momo-chan, and the gang--there's room enough for another favorite golfer here.)
Sunday, May 4, 2008
Sunday, April 13, 2008
Tokyo from Memory
Stephen Wiltshire is an autistic artist who loves to draw panoramic views of cities. In this video he draws a panorama of Tokyo from memory; drawing starts at about 3 minutes in.
Thursday, March 27, 2008
Sunday, March 23, 2008
Akazukin Chacha: Precursor to Precure (and Ojamajo Doremi)
Here's the theme song of a manga/anime that the Full Metal Archivist and her sister read/watched in the years before she came to the States!
Here's the opening of the first episode of Akazukin Chacha:
It's kind of Little Red Riding Hood morphing into Wonder Woman/Green Arrow, with all the humor you'd expect from such a henshin. Plus, Shingo Katori (of SMAP fame) was a voice actor on the show!
Here's the opening of the first episode of Akazukin Chacha:
It's kind of Little Red Riding Hood morphing into Wonder Woman/Green Arrow, with all the humor you'd expect from such a henshin. Plus, Shingo Katori (of SMAP fame) was a voice actor on the show!
Saturday, March 8, 2008
This One's for JP Stormcrow
Hey, JP, did you make the second parody poster referenced in this recent Verbal Privilege post? Just asking....
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